Live Event Production Company San Francisco
Westwave AV plans, builds and runs corporate events across San Francisco and the Bay Area. One crew handles the video, audio, lighting, staging and the live stream, from the site visit through to load-out. If you need equipment on its own, our audio visual rental services page covers delivery, setup and pickup.
Event Video Production
Capture your event with high-quality video production from Westwave AV. Our team handles all stages, from filming to editing, ensuring a polished result that aligns with your brand. This service perfectly complements our audio visual rental services, providing a seamless, integrated experience for your event.
Live Streaming
Engage both in-person and virtual audiences with high-quality live streaming solutions from Westwave AV. Our professional live streaming services, paired with our comprehensive audio visual rental services, provide smooth, real-time broadcasting for corporate events, trade shows, and conferences. We ensure seamless connections and interaction for remote attendees, with high-definition streaming technology that makes virtual guests feel as if they’re right there with you. From presentations to live Q&A sessions, Westwave AV’s integrated audio visual solutions guarantee your event reaches viewers everywhere, creating an engaging and interactive experience for all.
Stage Design
Scenic Design
Transform any venue with our expert scenic design services. From custom backdrops to lighting integration, Westwave AV can build immersive environments that enhance event aesthetics, aligning with your brand and theme to captivate your audience.
What a Westwave production covers
We take corporate events in San Francisco and the Bay Area from the first site visit through to load-out. That covers projection and video, audio, lighting, staging and scenic build, and the live stream for everyone watching from somewhere else. One crew, one plan, one number to call on the day.
We work directly with in-house event teams, and we work behind agencies as the technical half of someone else’s show. Either way the production is staffed and run by our own crew, not subcontracted out on the morning.
Renting gets equipment to the venue. Production covers everything around it: a site visit before the date, a plan for how the event runs cue by cue, a crew on headset through the show, and one person to call when a presenter’s laptop will not hand off to the screen. Most of what goes wrong at an event is not the equipment failing, it is the handoffs between people, and a crew is what covers those.
Yes. That is a hybrid event, and it is a different build from a room-only show: cameras and a switcher, a separate audio feed mixed for the stream rather than for the room, and someone whose whole job is watching what the remote audience actually sees. We have run panels with around fifty people in the room and several thousand on the stream. There is more on our hybrid event AV production page.
Yes. We build the package once and repeat it, so the second city is not a fresh design and the third is quicker again. YALCON: On Tour ran in San Francisco, Atlanta, St. Louis and Washington DC on one production package: projection, staging, lighting, confidence monitors and three technical roles travelling with it.
Every event is quoted, because the number moves with the room, the crew size and the schedule far more than with the equipment list. Our page on what moves an AV quote in San Francisco sets out what actually changes the price, so you can read any bid you receive, including ours, and see where the money goes.
Yes. If you have your own crew and only need gear, our audio visual rental services page covers delivery, setup and pickup. It is a separate service from a production and it is quoted separately.
What you get on the day
The part of the job that is not equipment.

A crew on headset
Audio, video, lighting and the stream are each somebody's job, and they are all on the same headset channel. Nobody on the floor is guessing what happens next.

Tested before doors
The room is built and run through before the audience arrives. Presenters put their real content on the actual system, not on a laptop in a back office.

One point of contact
One producer owns the event end to end. You are not calling three vendors to work out whose problem the screen is.
How a show gets built
Site visit
We walk the venue with you: sightlines, ceiling height, power, the load-in route, and whatever the room quietly cannot do.
Show plan
What goes where, what the audience sees, and what each of us is doing at every point in the run of show.
Load-in and rehearsal
We build the room and test it, then rehearse the people who have to stand up in it.
Show day
The crew runs the show and then strikes it. Anything recorded is handed over after load-out.