Short-Notice AV in San Francisco

Corporate event AV in San Francisco and the Bay Area, on a shorter runway.

If your AV vendor has cancelled, or a date has moved up, the answer depends on three things: the room, the date, and whether you need a crew or only the kit. We have taken jobs with a day’s notice and we have turned some down. This page tells you which is which before you call, and what the rush costs.

Westwave AV technician at the production desk during a live show in San Francisco, headset on, lighting console and preview monitors in front of the lit stage
A technician stays at the desk for the show, not just the load-in.

What we can usually put in a room inside two weeks

Audio for a room of that size, screens or projection, microphones for the people speaking, and a technician who stays for the show rather than dropping equipment at the door. That combination is what most cancelled bookings actually need, and it is the combination we hold rather than sub-rent.

A remote audience can usually be added at short notice too. Encoding, a camera on the stage and the room mix patched into the stream are a normal part of a hybrid event here, not a separate build.

What we need from you to answer quickly

Four things, and none of them require a document. With these we can say yes or no the same day.

  • The venue and the roomNot the address, the room. A ballroom, a boardroom and a tent are three different audio problems.
  • The date and the call timeIncluding when the room is actually available to load in.
  • How many peopleAnd how many of them are speaking.
  • Whether anyone joins remotelyThat changes the internet question more than it changes the kit.

Without them the honest answer is that nobody can tell you, and a company that quotes anyway is guessing.

When another vendor cancels

This is how a fair share of our work arrives. Two of the reviews on our Google listing describe it directly. One planner wrote that the night before their event they found themselves in a panic when their previous AV vendor had to cancel, and that by the next day the equipment was delivered and set up with an on-site technician. Another reached out roughly twenty four hours ahead. A third came to us on the recommendation of a different AV company in San Francisco.

Our largest account arrived the same way. One Mind brought us in to run their accelerator programme after the previous year’s team, and then renewed with a larger scope. There is a case study with the detail.

We mention this because it says something useful about how we quote. A replacement booking is not a favour and it is not priced as an emergency call-out. It is a normal job with a shorter runway.

What makes a short-notice yes possible

  • The kit is oursMixers, speakers, microphones, projection, screens, lighting and cameras come out of our own inventory. When equipment has to be sub-rented from a third party at short notice, the third party’s availability becomes your availability. That is usually the step that turns a maybe into a no.
  • The crew are the people who planned itOne team plans the show and runs it, so a compressed timeline removes preparation rather than adding a handover.
  • We still look at the roomEven on a short runway there is a site visit or, failing that, a call with the venue about power, load-in and the upload speed. The venue’s stated internet speed is rarely what the sales sheet claimed, and finding that out on the day is the most common reason a hybrid session goes quiet. On a multi-room programme we bring a connection of our own as well.

What the rush costs

15 to 30 percent

added for booking inside two weeks. Not because short notice is billed as a penalty, but because crew and equipment in this market are committed early, and short notice means paying to move them off other work.

Crew are quoted as day rates rather than by the hour, and overtime starts at ten hours. That matters more on a rushed job than a planned one, because rushed jobs are the ones where the schedule slips.

If the date is known, the first conversation is the cheapest one. Our largest account books about fourteen months out.

What short notice cannot buy

Worth saying plainly, because the answer is not “anything, for a fee”:

  • A built set. A custom stage involves design, manufacturing and install, and that is weeks of work. Short notice means rented staging and existing scenic, not something made for you.
  • A room that does not suit the event. If the ceiling will not take rigging or the power is not there, more money does not change it. That is why we ask about the room first.
  • Union labour arranged the same day. Some San Francisco venues and city properties require union or prevailing wage crew, and that is arranged through the venue on the venue’s timeline.
  • A rehearsal you have not scheduled. We will rehearse the transitions if there is a window. If there is not, the show is being run rather than rehearsed, and you should know that going in.

Call rather than email if the date is inside a week.

The number is on the contact page and it reaches the people who would run the job.

Westwave AV is based in San Francisco and works across the Bay Area.

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